Small picture Of Guy Faukes: 5K Green's Harlequin Guy Fawkes- Tabletop Theatre Version 1808
Transcription Conrad and Mary Bladey © 2003
Midi Music The Guy Fawkes Prince of Sinisters song 

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Cover:

Greens Juvenile Drama

No. 7

Burlesque Pantomime Melodrama Comedy Tragedy

GUY FAWKES

Written

Expressly for and adapted only to

Green's Characters and Scenes in the Same

Price Fourpence

The only Juvenile Edition Published correctly marked with the Stage Directions

London Printed and Published by J.K. Green the Original Inventor and Publisher of Juvenile Theatrical Prints Established 1808

Sold by J. Redington, 205 Hoxton Old Town

Frontispiece:

Green's Juvenile Drama.

A New

Historical Comic Pantomime,

Called

Harlequin

And

Guy Fawkes;

Or the FIFTH of NOVEMBER

Remember, Remember,

The fifth of November,

Gunpowder treason and plot;

We see no reason,

Why Gunpowder treason

Should ever be forgot.

Guy Fawkes Guy,

With his lantern, so sly,

Got into Parliament House

Written expressly for, and adapted only to

Green's

Characters and Scenes in the same

*+* The only Juvenile Edition published, correctly marked with the Stage Directions.

London:

Printed and Published by J.K. Green, at his Juvenile Theatrical Repository, 33 Salisbury-pl, Walworth, New Town; and Sold Wholesale and Retail, by J. Fairburn, 110, Minories, and Retail by all Booksellers in the Kingdom.

1836

Price Fourpence.

Dramatis Personae

Men.

Guy Fawkes…..Afterwards Harlequin.

Grumblegloom…..Genuis of Discontent.

Mischief……His familiar Agent.

Lord Monteagle…

Sir Francis Moore.. Astrologer and Almanac-maker.

Robert Catesby…Afterwards Pantaloon.

Conspirators:

Thomas Percy

Thomas Winter

Francis Tresham

Everard Digby….Afterwards Clown

Blue Devils, attendants on Grublegloom:

Dragon Wing, Grumble, Rant, Moan, Grunt, Snarl, Growl, Groan, Howl, Rave….

Imps attendants on Sir Francis Moore:

Weazlehoff & Brizzleback

Mr. Sigismund Suett,….The great carcass butcher

His progeny,--chips of the Old Block:

Masters Stump, Chump, Chopper, and Cleaver

Women

Alice….Daughter to Robert Catesby.

Dame Caudlecup….Her old Nurse.

Royal Guards, Guards, Archer Boy, Visitors, Porters,

Gardener, Boatmen, Coachman, Boys, Tortoiseshell, Taby, Tom, &c..&c.

Stage Directions

R.,H.,…means…Right hand.

L.H……………..Left hand.

Plate…………....Plate of Characters.

No. …………….Number on the Scene.

Fig. …………….Figures on the Set Pieces or Characters.

The Reader is supposed to be on the Stage facing the audience.

N.B.--Care should be taken in cutting out the Characters that the Name and the Number of the plate be marked on the back part of each figure.

Harlequin & Guy Fawkes,

Or the Fifth of November.

Scene 1. No. 1.

The Palace of Discontent.

(As the Curtain rises various Blue Devils are discovered employed beating up poison in mortars,--others rolling large blue pills.)

Disposition of the Blue Devils.

Rant, Grumble, Moan,

Grunt, Grumblegloom to rise through the trap Snarl,

R) Growl, Groan Howl, Rave. (L.

Chorus of Blue Devils

When mortals are happy we all of us growl,

Our discontent loudly expressing,

And like winter winds blow, roar, and scowl,

Or as dogs over a bone snarl and howl,

For misery to us is a blessing.

So we'll groan and howl,

And grumble and growl;

Oh! oh! oh! oh!

All cry out and grumble together

A loud rumbling noise is heard beneath the earth.

Enter Dragon Wing, L. H. plate 2 front wing.

Dragon Wing- Hark! hark! that rumbling noise beneath the earth portends.

Our Mighty Master hither this way bends;

So leave off work, to greet our Sovereign Lord,

And growl your discontent with one accord.

Chorus Repeated.

Gruymblegloom rises on his throne through the centre trap,

Plate 2.

Grumblegloom- Peace! peace! ye grumbling elves!

keep clos'd your mouths,

And chase that happy smile from off your brows;

'Tis true that mortals have much better been,

But now a change will o'er the scene be seen:

For I to earth have sent an evil spirit,

Brimful of mischief, enmity, and spite;

He'll spoil their beef, their pudding, and their tricks,

And on their backs the weight of cares will fix:

e'en now amid men's minds he mischief brews,

I'll summon him to glad us with bad news.

Mischief, appears!

(Enter Mischief L. H. plate 2, 2nd. wing)

What means that look, that brow so crost?

Why don't you smile?

Mischief- I can't, sire, all is lost!

The world is getting of much better cheer,

And soon all mortals will be blest I fear!

For happier they seem on each new day;

They've got more work, and oh! much less to pay.

Grumblegloom- Ha! is it so? Then, Mischief, let me see,

This Parliament of our prorogued will be;

Then meet again--the day-can I remember?

The First--Third- Fifth! aye, that's it, of November:

I'll thwart their meetings, blow them to the sky;

I've got a likely pupil in my eye;

A swaggering, roaring, boisterous invader,

That came to England in the famed Armada;

Who fears not for Reformers or hard knocks,

A man of metal true, called Guido Fawkes:

Now all to earth, with desperate care and toil,

And heat men's spirits till they over boil!

Away! away! and do not look so sad

And when I whistle come to me each lad.

Exit Grumblegloom through the trap, and Mischief L.H.

Re-enter Mischief, flying across the stage, from L. to R.

Plate 2.

Chorus.

Through the air, thorough the sky,

See our Mighty Master fly!

By the bright sun light

He wings his flight:

Away! away! away!

Exit Blue Devils R. and L.,--the scene to change to

Scene 2- Set Scene

The Castle and Garden of Thomas Percy, with distant view of Lambeth Palace morning.--This Scene to be formed by Scene 2, No. 2- The Castle to be set from second to third wing. L.H. Dame Caudlecup asleep, plate 3, at balcony,--figure 1, the garden bower, R. H. third wing, --ground piece to be set from the Castle to the bower, with the set water behind it--The whole to be backed by back of scene 2, No. 3--Lord Monteagle to pass across the water in a small boat, plate 4, from L. to R.

Enter Lord Monteagle, R.H., plate 3.

Monteagle- In my small boat I've stem'd the tide,

in yonder castle she lays sleeping,

Whilst I am walking beneath willows weeping

Now to give the signal for to wake her,

Then she'll fly to my longing arms to take her.

(Whistles.)

Enter Alice from the Castle gate, plate 1.

Alice--Oh! my young lord, I thought you long crossing to this shore;

I have been up and dressed an hour or more,

Waiting with impatience you to see;

The Castle gate to unlock, I from my nurse have stole the key.

Monteagle- My pretty Alice say no more; ther's coming on a shower;

We'd hie us to our secret hiding place within the bower;

And with love tales and other prittle prattle,

Before your nurse awakes and springs her rattle:

We'll toy away the time in true love's bower,

Till the sun as risen, and cleared away the shower.

Exit Monteagle and Alice into the bower, R.H.

Enter Thomas Percy and Sir Everard Digby from the castle.

Percy- I heard a noise: I'm sure there's mischief brewing!

Digby-'Tis but the cats upon the tiles a-mewing.

DISTANT CHORUS OF BOATMEN.

Merrily row our golden bark

Over the rippling stream,

While our oars keep time,--hark! hark! hark! hark

And the sun sheds his cheering beam:

With a merry yeo,

So jolly we row:

Yeo,yeo,yeo.

A gilded barge with Guy Fawkes, plate 3, passes close to the ground piece from L. to R.

CHORUS OF BOATMEN.

Merry boatmen, loud Huzza!

While our Mighty Master lands,

Rest your oars, your progress stay:

Our bark doth press the yellow sand;

Merry boatmen, loud huzza!

Merry boatmen, loud huzza!

Huzza! huzza!

Enter Robert Catesby, plate 1, L. H. with Walter Tresham, plate3.

Percy-Most noble Catesby, early as the lark,

Like friendly dogs we greet you from thy bark;

Tell us,--How goes the plot,--is all quite ready?

Catesby- The powder-barrel broached, and all is ready.

Digby- But who to fire it and free us from alarms?

Catesby- Hush! my foot stamped the hero's in your arms;

Hush! softly step, your silence keeping.

Digby-Ah! don't disturb the hero: behold He's sleeping!

Enter Guy Fawkes asleep, carried on the shoulders of four Boatmen, second wing, R.H. plate 3, and exit into the castle.

Catesby- Behold! The future terror of the nation.

Digby- He very nose a fiery conflagration.

Catesby- I see with pleasant smiles his face doth glow;

His fame is quite a picture.

Enter Guy Fawkes from the Castle, plate 4.

Guy Fawkes- Oh! oh! oh!

Thunder and lightning, battles, blood, and murder;

I know my business - so don't say no furder.

Catesby- Thn let us swear?

Guy Fawkes-- Pooh! oaths were made for boys.

Catesby- Oh! swear we must.

Guy Fawkes- I swear I heard a noise: quick! search the place.

Percy, Catesby, Digby, Tresham, and Guy Fawkes go off at the different wings and re-enter directly.

Catesby- What nought the bower now hie in?

Exit Guy Fawkes into the bower, and re-enter with Lord Monteagle, plate 4,- at the same time the nurse asleep to be taken from the balcony, figure 1.

What act spy you?

Guy Fawkes- A spy in act of spying!

Catesby--You treacherous rogue! what have you overheard?

Monteagle- Oh! not a syllable, upon my word.

Guy Fawkes--Then you must swear, before you go,

Never to mention what you do not know.

Enter Dame Caudlecup, the nurse, from the Castle, plate 3.

Dame Caudlecup- (To Catesby) your daughter has gone off: spite my prudent plan!

(Sees Guy Fawkes) Oh, grandam's buckles! what an ugly man!

Exit Dame Caudlecup, L. H. front wing

Guy Fawkes- An insult! And to my face:

I'll have revenge, if I travel over space.

Exit Guy Fawkes with Monteagle L. H. front wing--at the same time Alice comes from the bower and enters the castle. Re- enter Guy Fawkes, plate 1.

They have both escaped now to your different posts,

While I for breakfast take some tea and toast.

Exit Guy Fawkes and Conspirators into the castle as the Scene changes in front to

Scene 3, No. 4.

The House of Sir Francis Moore, in the Old Palace Yard, looking towards Storey's Gate,- Westminster Abbey in the distance.

Enter Lord Monteagle, R. H. plate 7

Monteagle--What can this letter mean? some mischief sure there's brewing!

Some deadly plot that will be our undoing:

I'll to Sir Francis Moore, he by his art may tell

What's to be done, then all may yet be well.

Exit into Sir Francis Moore's house.

Scene 4, No. 5.

The Study of Sir Francis Moore- Sir Francis Moore seated

(the window curtain to be made a trick,) at his table, plate 4.- bell tolling.

SOLO

Sir Francis Moore--The Abbey bell is tolling loud,

Hark to its solemn sound!

Ear we fly, from the homes of men,

To the fairies' haunted ground.

Brizleback, Weazlechoff, up and be gay,

The fairies are flitting fast away!

Away, away, away!

Enter imps Brizzleback and Weazlechoff, L. H. front wing,

and exit at the opposite wing; at the same time Sir Francis Moore, and table to be drawn off L. H., and re enter, L.H., with wand, plate 4, second wing.

Ha! some stranger hither bends his fate to know;

I'll straight admit him, be he friend or foe.

Exit R. H. front wing

Enter Imps Brizzleback and Weazlehoff, followed by Sir Francis Moore, plate 7, Lord Monteagle plate 3, R. H. front wing.

My Lord Monteagle, is it you that's come,

To ask of Francis Moore some mighty boon?

Lord Monteagle- I have received that letter, it threatens danger but not to me;

I fear there is some foul conspiracy:

It warns me from the Parliament house to keep,

And hints at acts most dire, dread, and deep.

Sir Francis Moore--We'll see what fate says: I'll consult the stars,

And information gain from Venus, Mercury, and Mars.

Exit L.H. and re-enter with wand, plate 4 second wing.

He waves his wand and the window curtain changes to the heavens, studded with stars,- trick, figure 1, plate 18

Now to my studies bar I, each star discern,

And from their signs our fate we'll quickly learn.

SOLO, SIR FRANCIS MOORE.

Ere the bell shall toll eight

By the old Abbey gate,

Monteagle, Monteagle,

Hence thither and wait;

Or conspiracy dire

With powder and fire,

Will blow up the king,

And your much honored sire;

From the Abbey gate soon

A strange man will speed,

You must follow his steps

Where'er they may lead,

Through darkness and terrors,

With courage pursue,

You'll save monarch, father,

And your lov'd Alice too:

On you all depends,

Danger waits on delay,

Your Monarch to save,

Monteagle, away!

Away! away! away!

Exit Lord Monteagle R. H. front wing, followed by Sir Francis Moore, and the two Imps to be dancing all the time the Scene is on.

Scene 5, No. 6

The exterior of the House of Lords in 1605, from Thomas Percy's vaults.

Enter Robert Catesby, Robert Winter, and Everard Digby in disguise, R. H. plate 4.

Catesby- Guy Fawkes is coming my friends, so don't begin to fret,

It's in time, for the Lords to have not met;

But when they do, our hero, without delay,

Will blow them to the skies, far far away.

Enter Guy Fawkes in disguise, with lantern, plate 4.

Guy Fawkes-- My lords, I have kept you waiting long I fear,

But you will not rail at me when you shall hear:

I've been making out my will before I leave this world,

And have therein my secret thoughts unfurled:

To you, Sir Everard Digby, I leave my watch and seals to hold;

And to you, Sir Robert Winter, my purse well lined with gold:

My portrait, the greatest prize of all I can bestow,

I give to Sir Robert Catesby, and never let it go

From you till death's grim visage doth appear:

So fare you well my friends, my friends, so dear!

Catesby- We thank you, one and all; so now you're ready,

Enter the vault and be to us true and steady.

Exit Guy Fawkes into the cellar.

Now my friends we'll take us to our several stations,

And await the great event which will befall the nation.

Exit Catesby, Winter, and Digby, L.H.

Scene 6, No. 7.

The Vaults beneath the House of Lords,- the stage dark.

Enter Guy Fawkes with lantern, plate 5, L.H.

Guy Fawkes- 'Tis plaguey dark, I could scarcely find my way;

I'll set my lantern down, and fetch my tinder box, without delay.

Exit R.H. re-enter R.H. without any lantern, plate 5, and exit L.H. re-enter with tinder box, plate 5, and exit R.H. front wing,--Guy Fawkes striking a light, to be drawn on from the R. H. front wing, over the trap. (Striking a light to be heard.)

The tinder must be damp, it will not catch.

(A grain of powder to explode from the trap.

That's it; now to light a match.

Guy Fawkes to be drawn off R.H.

Enter Lord Monteagle, R. H. plate 3, third wing.

Monteagle--The villain's at his work; his footsteps I have traced,

But ' tis so dark I cannot see his face:

Ah! Now I see a man with a lighted brand a coming:

I'll hid myself, and see what he'll be doing.

Exit L.H. second wing.

Re-enter Guy Fawkes with lighted torch, plate 5, (Stage light.)

Guy Fawkes- I have lit my candle and my torch ignited,

And said my prayers, and yet I'm sore affrighted;

But I have gone too far: oh! what a sight!

The train is ready and only waits the light.

(A train of powder to be laid from the trap to the barrels,--Guy Fawkes approaches to the train with his torch, which is instantly to explode,--enter Lord Monteagle with broom, second wing,

L.H. plate 5, at the same moment, and exit at the opposite wing; at the same time exit Guy Fawkes, L.H. front wing,-re-enter Lord Monteagle, R.H. plate 3, front wing.

Monteagle-Guards ! seize that Monster to instant death! Away!

Enter Guy Fawkes, L. H. front wing, followed by two of the guards, plate 5, and exit at the opposite wing,

Re-enter with guards as a a prisoner from the same wing, plate 6.

Grumblegloom rises from the centre trap, plate 6.

Grumblegloom- Hold! Daring mortal! I command you stay!

Rash mortal! Hold! This brave man is my care.

Enter Sir Francis Moore, plate 4, followed by Alice, L.H. plate `, wing front, Catesby &Digby, plate 1`, at the opposite wing.

Sir F. Moore- Hold! Hold him fast! release him if you dare.

Exit Monteagle and Alice, L.H. second wing.

Grumblegloom--Oh! Kind Sir Francis, have I you to thank,

For rendering my scheme a worthless blank;

But know my power greater is than thine;

My plot though thwarted , vengeance still is mine.

Demons! Drive hence those guards, the lover's seize!

Enter from second wing, L. H. Alice plate 1, and Monteagle, followed by two deamons plate 6, -exit Guy Fawkes and Guards, front wing R. H., followed by Monteagle and the two deamons,-re-enter from the same wing the two demons with Monteagle prisoner, plate 6, Guy Fawkes following plate 1.

Tho' I've not triumphed still I've power to tease

This youth confine within my darkest caves:

'Tis thus I treat all rash intruding slaves,

While his lov'd Alice Columbine shall be.

Exit Alice R. H., front wing, re-enter as Columbine,

plate 1.

Borne by Guy Fawkes as Harlequin from thee,

Lend from thy sight forever and a day,

Come change Guy Fawkes, thy master's word obey.

Exit Guy Fawkes, R.H. front wing, re-enter as Harlequin, plate 6.

Sir Fr. Moore- Monteagle, cheer! tho' you I can't release,

Still I've the power thy woes to end in peace:

Her father and his friend shall quick pursue

To catch Guy Fawkes and bring her back to you;

Which if within a year accomplished be,

You'll triumph over hate and straight be free:

So let in hope your hours pass away,

While I start these to make their first essay.

Catesby, be Pantaloon!

Exit Catesby R. H. front wing, re-enter as Pantaloon, plate 1.

While you, brave Digby quit thy murderous frown,

And quick appear as laughter loving Clown.

Exit Digby, R. H. Front wing, re-enter as Clown,

plate 1

Grumblegloom- Hold fast that youth, and gear him quick away.

To regions never blest by light of day.

Exit Demons with Monteagle L. H. second wing;

Grumblegloom R.H. second wing; re-enter with Harlequin's bat, plate 6.

(to Harlequin) This bat receive, its necromantic power,

Will aid you to escape in luckless hour:

A year is yours, and if not caught before its o'wer,

You will be safe, and naught can harm you more.

Exit Harlequin and Grumblegloom, second wing.

R.H. re-enter Grumblegloom as before and Harlequin, plate 1.

Sir F. Moore- (To Clown) you quick persue, no rest oeer let'em know,

And make their journey one of endless woe.

Grumblegloom--Now then, away! o'er land and sea,

And lead the Pantomimic chase right merrily.

Sir F. Moore- Obey my orders! turn all their joy to pain:

(To Grumblegloom) Adieu, vile caitiff! We may meet again.

Exit Sir F. Moore, L.H. front wing, and Grumblegloom through the trap,--as he descends a little green fire to be burnt. Harlequin, Columbine, Clown, and Pantaloon dance a four-handed reel,(music): after dancing a short time, exit Harlequin and Columbine R.H.

Clown- Now for it; we'll have him.

Pantaloon--Ay, ay! if we can catch him.

Clown- After him, after him! (Exit r. H. followed by Pantaloon.)

Scene 7 No. 8.

The projected rail road to Dover, forming in Greenwich Park: the rail road, set pieces, No. 16, figure 1, to be set across the stage, from the third wing L.H. to third wing R.H.-Steam carriages, figure 21, to be seen running to and fro, while the scene is on.

Enter Harlequin and Columbine, plate 7, L.H. Dancing,--

(music) -after dancing a short time, enter Pantaloon followed by Clown, plate 7, L. H.

Pantaloon- (To Harlequin) Only let me lay hold of you!

Clown- Stop, Stop! Let's have a look at the steamers.

Pantaloon- Come along, I'll tell you.

Clown- O crikey! Here's fun! Here's four horses dancing.

Enter Coachman and three houses, plate 7, and horse, plate 8, R. H. second wing:-the four horses dance a reel (music)--after dancing a short time, enter gentleman R. H. plate 7, front wing.

Coachman- (To gentleman) The last race of horses, sir; we beg for charity: fire and water as taken the bread out of our mouths:--pity a poor poney! pity an old blind cock-horse!- bestow your charity on a consumptive old mare, and wind-galled Filly! pity, pity, 'tis our last request.

The gentleman gives the Coachman money, and exit L.H.

Enter musician with harp L. H. plate 8, front wing,--crosses the stage and exit at the opposite wing.

Clown- Let's play at smuggings! harps is out, smuggings about! (Exit Clown, followed by Pantaloon, after the musician.

Enter Harlequin and Columbine, plate 7, R. H. second wing, (Music) dances off at the opposite wing.

Re-enter Clown, plate 1, with the harp, trick 2, plate 18, followed by Pantaloon.

I've found the harp of Altingburg.- you must play it!

Pantaloon- I can't play a harp!

Enter Harlequin- L.H. plate 10, front wing, and waves his bat over the harp,- the harp to change to the Royal Fantacina in tricks, No 17, exit Harlequin same side.

Clown- Then I will, (music)-O look here! they're dancing in the box; say nothing, we have got them!

Exit Clown and Pantaloon with Fantacina, L.H. front wing.

Enter Greenwich Pensioner, L.H. first wing, and Hairdresser, with wig box, R.H. plate 8 first wing.

Hair-Dresser-New wigs for old ones: new wigs for old ones! will you change, sir?

Pensioner- I don't wear a wig on my block; but if you have got any wooden legs I'll change with you. (Exit R. H.. front wing.)

Hair-Dresser- Thank you, sir!-new wigs for old ones! new wigs for old ones! (exit L. H. front wing.)

Enter Clown, L.H. plate 1, front wing, with wig box, in trick 3, plate 18, followed by Pantaloon, plate 7.

Clown- I've picked up a wig box! Will you buy one?

Pantaloon- Let's look at 'em first.

Clown- O you shall see them, and no gammon about it.

Enter Harlequin, plate 10 L. H. and waves his bat over the box, which is to change to a counter full of wig blocks.

Exit same side.

Here they are! here's the Lord Chancellor, and all the old wigs.

Pantaloon- I sha'nt buy one; I ware a tory!

Clown- Won't you? well then I'll tell you what it is,-I shan't cry about that!

(Exit with wig blocks, L.H. front wing, re-enter same side.

Here's Jim Crow a coming; just got out of a water steamer,

Enter Jim Crow, plate 18, L.H. front wing.

SONG, JIM CROW--TRIP TO GREENWICH.

It was de oder Sunday morning

I put on my dandy coat,

And came down to Greenwich,

On board of de Steam boat.

Wheel about, and turn about and do jist so,

Every time I turn about I jump Jim Crow,

We hab folks of ebey nation,

All languages dey peak,

From de Yankee, Swiss, and Garman,

Down to ancient Dutch Greek.

Wheel about, &c.

One gemman ax de captain,

Fore de fastnings were clare,

How much furder is it Captain,

Now before we will be there!

Wheel about,&c.

Dare was a Frenchman told de captain

He want to get out on de railroad,

Kase he realy was afeard de boat

Would tumble overboard.

Wheel about, &c.

But a very cunning chap on board,

Know'd ebry ting it seem,

Undertook to tell a lady

How de ingine move by steam

Wheel about, &c.

He says first, You see dis ere ting.

What's going up and down,

Well den you see dem cart wheel

Turning round and round

Wheel about,&c.

Well den you see dem oder tings,

Look like a par of tongs,

Dey hints against dese oder tings,

And shoves de boat along

Wheel about,&c.

And When dey want to steer de boat,

And bring her round in time,

Dares a ting looks like n cellar door,

Swinging on behind.

Wheel about &c.

Exit R. H. front wing.

Enter Columbine and Harlequin as sailor and sailor's lass,

plate 10, L.H. and dance a double hornpipe, (music the college hornpipe,)- the horses to dance a reel at the back: after dancing a short time, the Scene to change in front to.

Scene 8, No. 9.

Mr. Cornelius, O Quivers Archery Warehouse!

The trick no. 6. plate 17, of the slaughterhouse door to be fixed on the Targate, so as to turn down at the end of the house, L.H. when the trick is changed, the door must be made to open from the L.H. Next door is Mr Sigimund Suett's the great carcass Butcher, the trick No. 7 plate 18, the Butchers block to be placed near the door, and so fixed, as when the change takes place it may be drawn off L. H. On the right of the Archery Warehouse is the Steam Packet Office of the Star Company, the trick, No. 5 plate 17, the large Tea-kettle to be fixed on the front of the Office, so as to turn down when the change takes place, the head ot the Pantaloon to be pushed out at the lid of the Tea-kettle, and the Clown's head out of the Spout from behind the scene- the Archery Warehouse door and the Steam Packet Office door to be made to open.

Enter Harrlequin and Columbine, plate 7, R.H. second wing dances off at the opposite wing:--Mr. Sigismund, the Butcher, plate 9, in front of his shop walking to and fro.

Butcher- Buy, buy, buy, who will buy my bleeding heart?

Enter Cupid, R. H. plate 9.

Tis love I fear that harrows up my feelings thus,

Oh Cupid, thou hast wounded many a heart before, but never one so large as this.

Cupid- Oh Mr. Butcher do you feel the smart?

Be as easy as you can, here's an old maid a coming this way, I'll be off and have a fly at her, then there will be a pair of bleeding hearts.

Exit Cupid, L.H. second wing, re-enter directly same side.

I have hit the old maid plump in the heart, so I'll be off like a dart, and get a fresh supply of arrows.

(Exit Cupid into the Archery warehouse.

Enter old maid, L.H. plate 9, second wing.

Old Maid- Oh that mischievous boy, he has stuck his arrow in my heart; Mr. Sigismund, I'm in love, it puts me all in a flutter; I come to declare my passion.

Butcher--Say you so, then to be plain, I'm in love with you, and burning with desire.

Old Maid- Then we will off to Church and put out the destroying fire.

Enter Harlequin, L. H. plate 11, and dances round the stage,

(Music)

Enter Clown, followed by Pantaloon, plate 1, R. H.

Clown-There he is, don't you see him?

(Exit Harlequin, L.H.)

Pantaloon- No I don't

Clown-Oh you’re a fool. Let's go and have a shoot in the gallery.

Pantaloon--Go along, I'm a coming,

(Exit Clown and Pantaloon into the Archery Warehouse)

Enter Harlequin and Columbine, L.H. plate 7, dances round the stage,

(music)

Enter Clown with bow and arrow, plate 9, and Pantaloon, plate 7, from the Archery Warehouse.

(Exit Harlequin and Columbine, L.H.,

Clown--I'm a going a shooting; I'm a going a shooting; you stand there, I'll try if I can hit you.

Pantaloon-Now don't you go be foolish, if you shoot at me I'll tell your mother.

Clown-(Draws back to front of wing R. H. Pantaloon at the opposite wing.)

You needn't be afeard, I shall only knock one of your eyes out. I'll lay you two to one I hit the bull's eye in the targate.

Pantaloon- Done, you don't.

Clown- You shall see if I don't.

Enter Harlequin plate 10, L. H. waves is but over the trick targate.

(Exit same side.)

Mind your eye, I'm going to let fly.

(Exit first wing, R.H. at the same time the targate is to change to the slaughter house door,-re-enter Clown, plate 1, front wing, (the roaring of a bull to be heard)

Pantaloon- Oh! what have you done?

Enter Butcher, R.H. second wing goes to the slaughter house door which is to open, and the bull in trick plate, No 1`8, is to come out.

Clown- A mad Bull! a mad Bull!

(Exit Clown, Pantaloon, and Butcher, R.H. second wing, the Bull following them off.

Enter Harlequin and Columbine, plate 1; dance (music)_ round the stage and exit into the Archery Warehouse.

Re-enter Pantaloon, Clown on the back of the Bull, with Butcher and mob, plate9, R. H. front wing, (dogs barking)

Clown- Stop him, stop him, lay hold of his tail.

Enter Harlequin from the Archery Warehouse, waves his but over the Butcher's block, which is to change to four little butcher's trick, No. 7, in plate 18.

Little Butchers- Here we go, for chips of the old block.

(To be drawn off L.H. second wing,-

Harlequin to enter the Archery Warehouse, --enter Clown, plate 1, Pantaloon, plate 7, L. H. front wing,

Two pair of visitors, plate 8, R. H. second wing-Visitors exit into the Steam Packet Office.

Clown- There all a going to take their places to go on board the steamer.

Enter visitors from the Steam Packet Office, and exit L. H. second wing…Enter Harlequikn and Columbine, plate 1, from the Archery Warehouse, and exit into the Steam Packet Office.

Clown- There they go, lets be after them and secure our places.

(Exit Clown and Pantaloon into the Steam Packet Office.)

Enter Harlequin and columbine from the office, and exit L.H. second wing, re--enter Harlequin, plate 10, same side, and touches the Steam Packet Office with his bat, and exit L.H. the Office to change to a large Tea-Kettle, trick No. 5, plate 17. -enter Harlequin and columbine, front wing, L.H. plate 7 and dances rund the stage, (music) the head of the Pantaloon, plate 17, to be pushed out at the lid of the Tea-kettle, and the Clown out of the spout.

Clown- They have shoved me up the spout where are you master?

Pantaloon- Oh I'm on the shelf; there they are, I'll give it to you.

(Exit Harlequin and Columbine, R. H., scene to change to

Scene 9, No. 10 -

The dome of St. Paul's on al moonlight night, overlooking the whole of London;

distant view of Cateaton Street.

Enter Clown and Pantaloon, plate 1, R. H. front wing.

Clown- What a precious blow up.

Pantaloon- You may say that, the steam boiler bursted, and has blown us on top of the tiles.

Clown- Oh! looke here!

Pantaloon- Why what's the matter?

Clown- Here's such a lark with the Cats!

Enter three Cats, second wing, L. H. plate 10, fighting, swearing, &c, and after a short time go off at the opposite wing.

Clown- (singing) Meet me by moonlight alone,

And then I will tell you a tail.

'The garret window to open and discover a chamber maid, with pillow, plate 9.

See that pretty creature there,

Oh how handsome, Oh how fair.

(Clown, going to the window.)

Give me a kiss, sweetheart?

Maid- Get along you naughty man, caterwauling on the tiles.

(The window to shut.

Pantaloon- She has given you the cut direct.

Clown- I'll cut her corns for her.-O lord, I'm getting so sleepy.

Pantaloon- Let's take a nap on the tiles.

Clown- Agreed! but you must sleep on the other side of the house, then you will not disturb me with your snoring.

Pantaloon- Mind and wake me when you see the Comet!

(Exit Pantaloon, L.H., Clown, R.H. second wing.)

Re -enter Clown with Tom at his feet, and Tabby at his head, plate 10, R.H., second wing.

Clown- Confound these cats. They are fighting to see which shall have me, master, master, bring your stick and give 'em a floorer.

(Exit at the opposite wing.)

Enter Pantaloon, R.H. and Clown, L.H. plate 1, front wing.

I have got rid of them at last!

Pantaloon- I knocked Miss Tortoiseshell off her perch into the gutter.

Clown- See the Comet! the Comet!

(The Comet, plate No. 17, to pass across the scene from left to right.

Lets get in at the garret window, and make our escape through the house into the street! Oh yes-!

(The Clown and Pantaloon exit into the garret window, which is open.- The scene to change to

Scene 10, No. 11.- Erith Reach

With set waters and ground piece No.12 the trick boat, No. 8, plate 19 to lay close to the ground piece.

Enter Harlequin and Columbine. R. H. plate 7 third wing, dances round the stage, (music) and exit third wing, L. H.

Enter Clown and Pantaloon, R. H. plate1,

Clown- Boat your honour, boat, will you have a sail in yonder boat, your honour;

Pantaloon- Will a Duck swim?

(Clown and Pantaloon go to the boat.)

Clown- (singing,) A boat danced on Thames bonny stream.

Enter Harlequin, plate 10 L.H. third wing, waves his bat, and exit same side; the boat to change to the Arial Ship, which is to ascent through the top borders over the stage.

Clown- (singing as they ascend,) Here we go, up, up, up,.

Pantaloon- (singing,) But I hope we shant go down, down, down.

Clown- See, we go higher and higher.

Pantaloon- We shall have a view of London Towne.

(Scene to change to)

Scene 11, No. 13

The Zoological Gardens during a fancy fair, music.

Enter visitors, and soldier, R.H. plate 8, Greenwich pensioner, L. H. second wing, Harlequin and Columbine, plate 7, L.H. second wing, dance round the stage, and exit the same side. Enter Clown and Pantaloon, plate 8, R. H. front wing to cross the stage quick.

Clown- A mad bull! a mad bull!

(Exit at the opposite wing)

Re-enter same side, plate 11.

I shant carry you much further, I shall pitch you into one of the Lion's dens, you'll be a nice tit bit for 'em.

Pantaloon- O don’t do that, it would be the death of me.

(Exit R. H. front wing.--enter the dancing dogs, plate 8, r. and L. second wing, and dance about all the time the scene is on' Clown and Pantaloon R. H. plate 1, front wing.

Clown- Oh crikey, hears a couple off dancing poodles, what fun (singing_ come with me, and you shall see the Champanzee, the Champanzee, the magnificent Peacock, the Cameleopard, the musical Monkies, the Bird in yonder cage confined, and the Lion.

Pantaloon- Don't mention it, I've had quite enough of him.

Enter Harlequin and Columbine, followed by Clown and Pantaloon, L.H. front wing.--the scene to change to.

Scene 12, No. 14&15.

Rival fire-work maker's shops, on the 5th of November Trick Scene to turn down at the explosion.

Enter Harlequin plate 11. & Columbine plate 1 R. H. dance round the stage, and exit L.H.-enter four visitors and soldier, plate 8 R. H. exit into the fire work shops, -enter Clown and Pantaloon, R. H.,plate 1, front wing, followed by Gardener, plate 10, crosses the stage.

Gardener- Here's your flowers all a growing, all a blowing, hearts ease, a penny a root, a penny a root.

(Exit L.H. front wing.)

Clown- What sweet scented ones, I shall get a pennyworth of hearts ease, you may do as you like.

(Exit L.H. front wing; re-enter with trick flower pot.

No. 9, plate 19

(Singing)

Let it be early, late or soon,

I will enjoy my rose in Jun e.

Pantaloon- Rose in June? why this is November, roses don't blow this time of the year.

Clown- Don't they? that's all you know about it; mine is a monthly rose.

(Exit Harlequin, plate 10, L.H. waves his bat over the flowerpot, which changes to two flower pots, and exits same side.)

Pantaloon- Well I'm blowed! If your flowerpot isn't blow'd into two flower pots!

Clown- I declare, so it is! I shall have a flower pot for each window.

(Exit L.H. with flower pots, re-enter directly same side_ here's a swell ac coming! (Enter Lord Mayor's porter, followed by two porters with large chest, R. H. plate 11, front wing and exit at the opposite wing.) Presents for the Lord Mayor! how I should like to have a peep! (Exit L.H. after the porters, re-enter with the trick chest, No. 10, plate 19.

What will you give me to have a peep?

Pantaloon- I'll give you a rope! you have stole the chest!

Clown- Don't say so; I' ve only borrowed it to satisfy my curiosity.

Enter Harlequin, plate 10, L.H. front wing, and waves his bat over the chest which changes to a silver cradle.

Pantaloon- Why it's a cradle for the Lord Mayor's son; sent as a present to him from the Alderman of the city.

(The Lord Mayor's Son, in plate 19, to come from behind the cradle and exit L.H. front wing.)

Clown- There be marches, ready made! Stop! Stop! Little boy, and take your cradle with you.

Exit with cradle after him. The Visitors, Soldier, and Greenwich Pensioner enter from the fire-work shops, and exit R. and L. second wing.

Enter boys, R.&L. plate 10 front wing, and exit, int the firework shops- Enter Clwon L.H. front wing, (singing)

Clown- I've been roaming, I've been roaming,

Where the butter cups do grow;

But I'm coming, but I'm coming,

Where the little boys do go.

Clown- Let's go and have a lark with the fireworks!

Pantaloon- I shall go to number three: you may go to number four.

Exit Pantaloon into No. 3, Clown into No. 4.

Re-enter Pantaloon with the skyrocket, plate 10, followed by the boys.

Boys- Huzza! huzza! there's prime fireworks! we will buy all ours at your shop!

Enter Clown with placard, plate 10.

Clown- Come to my shop, little boys: his fireworks are not half so good as mine: because I will give you six months credit.

Boys- Huzza! Huzza! we will buy all our fireworks at your shop!

Clown- Come along, my flowers, we will have such a blow up!

Exit Clown into No. 4, followed by all the boys and Pantaloon into No. 3: re-enter Pantaloon, plate 1.

Enter Harlequin, plate 1`0 L.H. second wing,-touches the Scene with his bat, and exit; the Trick Scene to chang3e to the firework shops blow up:- (squibs and crackers to be let off, to give the effect of the blown up, as the Scene changes)

Pantaloon- What a narrow escape! hollo! what do you do there? come down!

Clown to descend from the top borders, enveloped in fire and smoke,

Plate 11.

Clown- Murder! Murder! I have had such a high fligher!

Enter Harlequin, R. H. plate 6,-second wing and exit at the opposite wing.

Pantaloon- And see, Harlequin's lost his bat in the fire! After him, after him! lets secure him while we can!

Exit Clown and Pantaloon, L.H. Second wing: re-Enter as Harlequin as prisoner, between Clown and Pantaloon, plate 11, L.H. front wing,

Columbine following plate 1.

Clown- We have caught you at last, have we, Master Guy?

Pantaloon- throw him in the fire, and there let him die!

Grumblegloom rises through the center trap in blue fire, plate 6.

Grumblegloom- Hold wretches wouldst thou dare again to try.

Thus to destroy my favorite, gallant Guy!

Know the year is up, and you are in my power,

So vengeance shall be mine at this dark hour!

Enter Sir Francis Moore, L.H. plate 4 front wing.

Sir F. Moore- Stay Grumblegloom, thy anger cease,

And with me unite in bonds of mutual peace

Then Guy shall live, let's all be friends,

Come join their hands, and thus make some amends.

Grumblegloom- Well, I consent, he shall have the lovely maid,

And of Grumblegloom shall be no more afraid.

Sir F. Moore- Well said! Now let us all be gay,

And we in History's hall will spend our Christmas day.

(Exit Harlequin, Clown, Pantaloon, and Columbine, R.H.- The Scene to change to

Scene 13, No. 16.

The Hall of History- in the centre at back, is growing England's budding Rose, which is to change to the portrait of the Princess Victoria, surrounded by a star,-trick No. 11, plate 19. Enter Lord Monteagle with Columbine, plate 12, second wing, followed by Clown and Pantaloon, plate 1.-Harlequin, plate 6- Two Royal Guards, L.H.- Two Royal Guards R. H. plate 123, third wing- Three Dancers L. H.--Three Dancers, R. H. plate 12. front wing-(music)- After dancing a short time, enter Principal Dancer, L.H. plate 12, second wing and dances in the centre in front.

FINALE BY ALL THE CHARACTERS

 

Remember! Remember!

The Fifth of November,

Gunpowder, Treason ad Plot,

We see no reason

Why Gunpowder Treason

Should ever be forgot

Guy Fawkes Guy

Clown- If we your approval obtain,

We'll banish each sorrowing sigh:

Your plaudits then give,

With your smiles let us live,

And please to remember our Guy.

The Curtain to Fall Slowly.

Finis

The Publisher will shew any of his juvenile Friends how the pantomime Tricks and Trick-Scenes are to be made.

J.K. Green, Printer, 33 Sailsbury-Place, Walworth New Town

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